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We as artists of Level Five are happy to announce that our Salon Sale is online now: Reading group and group exhibition with works and documents by Pieter Geenen, Paoletta Holst, Fazal Sheikh, Dr. On Brenna Bhandar's 'Colonial Lives of Property' Screening of 'Upright Drum in Water' (2020). Online conversation and Q&A on December 16, 19h30įLIGHT / Mostra Internazionale del Cinema di Genova, Genoa (IT) Programmed by Emma van der Put and Chloé Malcotti Level Five Artistic Ecology, Brussels (BE) Online group exhibition with work by Denise Bertschi, Alex Clarke, Jeremy Deller, Tenki Hiramatsu, Pieter Geenen, Carmen Kirkby, Bent Van Looy, Real Madrid, Connor McNicholas, Sadé Mica, Alberta Whittle. Weiss, Meggy Rustamova, Pieter Geenen and more. Satellite #5 - Unknown Language: On Spelling, Spells and SpeltĪn online audiovisual journey through works by Don Mee Choi, Anna Homler, Florence Cheval, Allen S. With the support of SOFAM a signed and numbered edition with a certificate of authenticity is made available on the occasion of this exhibition. With the support of Vlaamse Gemeenschapscommissie and Flanders State of the Art. (* The Life of Lines, Tim Ingold, published by Routledge, 2015, p.118) This attempt to restore the effects of colonization (for example by covering or simply erasing the drainage canals) and to reimagine pre-colonial times in turn installs a fictitious and newly imagined world. After deterioration, creases, scratches, scan lines and other digital artefacts had already affected their readability, now traces of history have been deliberately hidden or erased. By folding, digital manipulation or the technique of printing itself a new layer is covering the memory and preservation of the past. Here Geenen presents a selection of silkscreen prints and inkjet prints decolonizing and reactivating the digitally archived files from the Mapoteca Manuel Orozco y Berra in Mexico City.
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'Esoexo' is a series of printed works based on historical maps of the valley of Mexico and the different entities now making up the metropolitan area of Mexico City. What we see and hear is merely arising from a man-made construction and puts the relationship between man and nature, between past, present and future into question. Man and nature seem to live harmoniously. Sounds from either side of the power structures ruling society blend with each other into one microcosm: vendors, beggars, workers, cleaners, police, surveillance, security systems, etc. The soundtrack on the other hand is built up from field recordings voicing street life typical of Mexico City. Lately it has been under threat of pollution, urbanization, tourism, abandonment and invasive sorts. It is home to the endangered species of the Axolotl, an amphibian native to this area only. It is agricultural land gained from the waters of Lake Texcoco, Lake Xochimilco and Lake Chalco which historically and geographically preceded their drainage by the European colonizers and the expansion of the city that followed. This area in the south of the city is a fragile ecosystem constructed by the Aztecs in pre-colonial times. The title piece 'Laying Down a Line' is a film juxtaposing the sounds collected walking the streets of Mexico City to the image exploring the network of canals crossing the lands of the borough of Xochimilco using the basic principle of camera obscura. By referencing aquatic life and indigenous culture a new iconography is coming to life. He focuses on the ecology of Mexico City where he spent his time as artist in residence in 2018 to propose a different reading of the past, redefine the present and imagine a potential future. In his solo exhibition 'Laying Down a Line' at Eté78 Pieter Geenen uses the concept of the line to mirror, invert or erase geographies and histories. Along the way the line unites and divides, includes and excludes, separating water and land, earth and sky, fact and fiction, until it becomes blurred. In-between two lines there’s a world of becoming, the ongoing condition of the life lived midstream. Following a line along the twists and turns of the labyrinth there’s no commanding view and no glimpse of an end. A line is a transition between two points, moments or places. Screening of 'Upright Drum In Water' (2020) - Latin American premiere Screening of 'Upright Drum In Water' (2020) One Shot International Short Film Festival, Yerevan (AM)